Sphinx - OPOI reviews 2021

List of articles in category OPOI Reviews 2021
Title
RICHARD MYERS — ‘FRESH AIR’
TIM MURPHY — ‘THERE ARE TWELVE SIDES TO EVERY CIRCLE’
NATALIE PERMAN — ‘CATACLYSM’
MICHELENE WANDOR — ‘TRAVELLERS’
JO WESTON — ‘HOW NOT TO MULTITASK’
OLIVIA TUCK — ‘THINGS ONLY BORDERLINES KNOW’ (2 OPOIs)
ALISON BINNEY — ‘OTHER WOMEN’S KITCHENS’
JEAN ATKIN — ‘THE BICYCLES OF ICE AND SALT’
KATIE BYFORD — ‘HE SAID I WAS A PEACH’
JESS MCKINNEY — ‘WEEDING’
KATHLEEN BAINBRIDGE — ‘INSCAPE’
CLAIRE BOOKER — ‘THE BONE THAT SANG’
HUGO WILLIAMS — ‘BADLANDS’ (2 OPOI)
SIMONE ATANGANA BEKONO — ‘HOW THE FIRST SPARKS BECAME VISIBLE’ (2 OPOI)
MARIA SLEDMERE — ‘NEUTRAL MILKY HALO’
JON STONE — ‘SANDSNARL’
JOSHUA CALLADINE-JONES — ‘CONSTRUCTIONS [KONSTRUKCE]’
KATHRIN SCHMIDT — ‘TWENTY POEMS’
MARION TRACY — ‘EVIDENCE OF LOVE’
KERRY HARDIE — ‘A LUCKY WOMAN’
ALISON DUNHILL — ‘AS PURE AS COAL DUST’
ROBIN THOMAS — ‘CAFFERTY’S TRUCK’
ZOSIA KUCZYŃSKA – ‘WITH OTHERS IN YOUR ABSENCE’
IAN CROCKATT — ‘SKALD’
MARILYN RICCI — ‘DANCING AT THE ASYLUM’
LESLEYMAY MILLER — ‘ROUSSEAU’S MOUSTACHE’
FIONA LARKIN — ‘ A DOVETAIL OF BREATH’
MENNO WIGMAN — ‘BEAUTIFUL THINGS’
DENNIS TOMLINSON — ‘OVER THE ROAD’
KALI RICHMOND — ‘GRADUAL REDUCTION TO BONE’
GRAHAM MORT — ‘SAMARA’
CHLOE HANKS — ‘MAY WE ALL BE ARTEFACTS’
PATRICIA ACE — ‘THE LIDO AT NIGHT’
NORA HUGHES — ‘UNDER DIVIS MOUNTAIN’
HAMISH WILSON — ‘LOCKDOWN JOURNAL’
ANNIE FAN — ‘WOUNDSONG’
MAUREEN WELDON — ‘THE WAKING HOUR’
JESSICA MOOKHERJEE — ‘PLAY LISTS’
TINA COLE — ‘FORGED’
RUTH TAAFFE — ‘UNEARTHED’
MARTIN ZARROP — ‘TO BOLDLY GO’
FATHIMA ZAHRA — ‘SARGAM / SWARGAM’
MATT HAW — ‘BOUDICCA’
COLIN PINK — ‘WRECK OF THE JEANNE GOUGY’
ANDREA MBARUSHIMANA — ‘FATBERGS’
JOE WILLIAMS — ‘THE TAKING PART’
SARAH SHAPIRO, ‘BEING CALLED NORMAL’
GBOYEGA ODUBANJO — ‘AUNTY UNCLE POEMS’
LARISSA MILLER — ‘REGARDING THE NEXT BIG OCCASION’
GERALDINE CLARKSON — ‘CRUCIFOX’
NIKKI DUDLEY — ‘I’D BETTER LET YOU GO’
ERNEST DOWSON — ‘POEMS’
JAKE HAWKEY — ‘BREEZE BLOCK’ (2 OPOIs)
NICOLA BRAY — ‘BOI’
DAVID LUKENS — ‘ONE BRIEF WAVE’
ELLEN RENTON — ‘AN EYE FOR AN EYE FOR AN EYE’
VALERIE COULTON — ‘STILL LIFE WITH ELEGY’
SHARON BLACK — ‘RIB’
STEFAN MOHAMED — ‘THE MARKETPLACE OF IDEAS’
FELICITY SHEEHY — ‘LOSING THE FARM’
CHARLIE ULYATT — ‘LIGHT LIGHT LIGHT’
LIZ LEFROY — ‘GREAT MASTER / SMALL BOY’ [2 OPOIs]
PAUL SUTTON — ‘JACK THE STRIPPER’
ROB MCLENNAN — ‘POEMS FOR LUNCH POEMS AT SFU’
LUCY HURST — ‘MODERN MEDICINE’
MORAG ANDERSON — ‘SIN IS DUE TO OPEN IN A ROOM ABOVE KITTY’S’
MERYL PUGH — ‘WIFE OF OSIRIS’
VICKY MORRIS — ‘IF ALL THIS NEVER HAPPENED’
JAMES AITCHISON — ‘EDGES’
CHARLIE BAYLIS — ‘SANTA LUCÍA’
REBECCA SHARP — ‘ROUGH CURRENCY’
PAUL O’PREY — ‘FLEET’
LINDA JACKSON — ‘THE CABINET’
DONNA IRVING — ‘SYMMETRY OF FOLKLORE’
ALEXA WINIK — ‘CLOSE RIVER’
TARIQ LATIF — ‘SMITHEREENS’
TOM SHARP — ‘THE LONGMONTH OF RUMOURS OF LIGHTS’
SUE WALLACE-SHADDAD — ‘A CITY WAKING UP’ (2 OPOI)
ANNA CATHENKA — ‘COMPUTER DREAMS’
JULIE JOHNSTONE — ‘BREVITIES’
CARL TOMLINSON — ‘CHANGING PLACES’ (2 OPOIs)
S. D. CURTIS — ‘DIARY OF A DIVORCE’
HANNAH HODGSON — ‘WHERE I’D WATCH PLASTIC TREES NOT GROW’
NEIL CURRY — ‘A NORTHUMBRIAN BOOK OF HOURS’
ELLEN McATEER — ‘HONESTY MIRROR’
AC CLARKE — ‘WEDDING GRIEF’
ALAN HILL — ‘A BOY IN WARTIME’ (3 OPOIs)
SARAH AKEHURST — ‘VIGILS’
JULIE IRIGARAY — ‘WHALERS, WITCHES AND GAUCHOS’
LAUREN COLLEY — ‘PEGGING OUT’
SEAN BORODALE — ‘RE-DREAMING SYLVIA PLATH AS QUEEN BEE’
MICHELLE MARIE JACQUOT — ‘DETERIORATE’
VANESSA WALTERS — ‘NOTES FOR A ROMCOM’
SIMON MADDRELL — ‘THROATBONE’
JOSHUA JUDSON — ‘GONGOOZLER’
LUCY HOLT — ‘HAVE A NICE WEEKEND I THINK YOU’RE INTERESTING’
CHRISSY BANKS — ‘FRANK’
ALAN SPENCE – ‘ZENSCOTLIT’
JUNE HALL — ‘WHAT IF?’
ANTONY OWEN — ‘COV KIDS’
SALLY FESTING — ‘WHITE QUEEN’S LAST STAND’
JANE ROUTH — ‘AFTER’
JOHN KILLICK — ‘THE WORDY-GURDY MAN’
PAULINE YARWOOD — ‘LOOP’
LYNN VALENTINE — ‘A GLIMMER O STARS’
AMARA AMARYAH — ‘THE OPPOSITE OF AN EXODUS’
CALEB PARKIN — ‘WASTED RAINBOW’
KAREN JANE CANNON — ‘THE CURFEW BELL’
CHERYL MOSKOWITZ — ‘MATERNAL IMPRESSION’
HILARY ROBINSON — ‘REVELATION’
SUE BUTLER — ‘LEARNING FROM THE BODY’ (2 OPOIs)
PAUL BINDING — ‘RED STREAKS’
LAUREL UZIELL — ‘T’
C. J. DRIVER — ‘A WINTER’S DAY AT WESTONBIRT & OTHER POEMS’
SUZANNAH V EVANS — ‘BRIGHTWORK’
TEIKA MARIJA SMITS — ‘RUSSIAN DOLL’ (2 OPOIs)
AMY McCAULEY — ‘PROPOSITIONS’
VOLHA HAPEYEVA — ‘IN MY GARDEN OF MUTANTS’ [2 OPOIs]
CHLOË BALCOMB — ‘UPSTART JUGGLERS’
LAUREN HOLLINGSWORTH SMITH — ‘UGLY BIRD’
HILAIRE & STEPHEN J GRAHAM — ‘INDOORS LOOKING OUT’
SUE BURGE — THE SALTWATER DIARIES
RACHAEL MATTHEWS — ‘DO NOT BE LULLED BY THE DAINTY STARLIKE BLOSSOM’
GEORGIE WOODHEAD — ‘TAKEAWAY’
KAREN DENNISON — ‘OF HEARTS’
SHASH TREVETT — ‘FROM A BORROWED LAND’
BEN BRANSFIELD — ‘JUDDER MEN’
MATTHEW HOLLIS — ‘LEAVES’
ELLA DUFFY — ‘ROOTSTALK’
SELIMA HILL — ‘FRIDGE’
JEAN ATKIN & KATY ALSTON — ‘FAN-PECKLED’
VANESSA LAMPERT –– ‘ON LONG LOAN’
SAM ILLINGWORTH & STEPHEN PAUL WREN — ‘A CELESTIAL CROWN OF SONNETS’
RICHIE McCAFFERY — ‘COPING STONES’ (2 OPOIs)
PAULINE ROWE — ‘THE WEIGHT OF SNOW’
ISABELLE BAAFI — ‘RIPE’
SIMON MADDRELL — ‘QUEERFELLA’
MICHEAL MCCANN — ‘SAFE HOME’
ARUN JEETOO — ‘I WANT TO BE THE ONE YOU THINK ABOUT AT NIGHT’
ANNA SELBY — ‘FIELD NOTES’
DAVID BLEIMAN — ‘THIS KILT OF MANY COLOURS’ (3 OPOIs)
IMOGEN FORSTER — ‘THE GRASS BOAT’
ELIZABETH HARE — JUST ABOVE THE WATERLINE
NATALIE WHITTAKER — ‘TREE’ (2 OPOIs)
MARINA SANCHEZ — ‘MEXICA MIX’
ANTHONY ETHERIN — ‘THE UTU SONNETS’
COLIN BRAMWELL — ‘THE HIGHLAND CITIZENSHIP TEST’
JILL PENNY — ‘IN YOUR ABSENCE’
IAN McMILLAN — ‘YES BUT WHAT IS THIS? WHAT EXACTLY?’
GRAE J. WALL — ‘THE SOUND OF REVOLUTION’
STEVE ELY — ‘I BEHELD SATAN AS LIGHTNING FALL FROM HEAUEN’
ROSALIND EASTON — ‘BLACK MASCARA (WATERPROOF)’
LUCY DIXCART — ‘FAINT’
THOMAS SHARP — ‘MYU’
SELIMA HILL — ‘MY MOTHER WITH A BEETLE IN HER HAIR’
DANIEL FRASER – ‘LUNG IRON’
LEUNG RACHEL KA YIN — ‘CHENGYU CHINOISERIE’
PAATA SHAMUGIA — ‘SCHIZO POEMS’
RUTH AYLETT — ‘PRETTY IN PINK’ (2 OPOIs)
LIBERTÉ, ÉGALITÉ, FRATERNITÉ (SHOWCASE OF 3 POETS)
CATHERINE EUNSON — ‘MEND’
MIRANDA LYNN BARNES — ‘BLUE DOT AUBADE’
RACHEL DAVIES — ‘EVERY DAY I PROMISE MYSELF’
SARAH DOYLE — ‘SOMETHING SO WILD AND NEW IN THIS FEELING’
DOMINIC MCLOUGHLIN — ‘LADDER TRAINING’
SUE JOHNS — ‘RENTED: POEMS ON PROSTITUTION AND DEPENDENCY’
MAARTEN INGHELS — ‘THE INTERNATIONAL SOCIETY FOR THE OFFICIAL DOPPELGÄNGERS OF MAARTEN INGHELS’
PHOEBE WALKER — ‘ANIMAL NOISES’
FRANCA MANCINELLI — ‘BEFORE WORDS BECOME HOT WAX: SELECTED POEMS’
SHAZEA QURAISHI — ‘THE TAXIDERMIST’
SARAH WIMBUSH — ‘THE LAST DINOSAUR IN DONCASTER’
CHARLOTTE GEATER — ‘POEMS FOR MY FBI AGENT’
ZOË SÎOBHAN HOWARTH-LOWE — ‘I HAVE GROWN TWO HEARTS’
LUCY ROSE CUNNINGHAM — ‘FOR MARY, MARIE, MARIA’
JAMIE HALE — ‘SHIELD’
VARIOUS — ‘THE HOUSE IN THE FOREST’
MICHÈLE ROBERTS — ‘QUARANTINE’
CLIFF YATES — ‘BIRMINGHAM CANAL NAVIGATION’ (2 OPOIs)
ROBIN HELWEG-LARSEN (ED.) — ‘HOUSES AND HOMES FOREVER: POEMS OF WHERE WE LIVE’
LAURENCE WHISTLER — ‘POEMS’
MARTIN STANNARD — ‘THE REVIEW’
DANIEL DONNELLY — ‘EAT THE STORMS’
N. S. THOMPSON — ‘GHOST HANDS’
KOSTYA TSOLAKIS — ‘EPHEBOS’
‘HUNGER LIKE STARLINGS: HUNGARIAN AND SCOTTISH POETRY’ [ANTHOLOGY]
VIC PICKUP — ‘LOST & FOUND’
NIALL M OLIVER — ‘MY BOSS’
NIGEL KENT — ‘PSYCHOPATHOGEN’
MARK WYNNE — ‘FRANK & STELLA’ (2 OPOI)
KEV INN — ‘ADVENTURES IN RACIAL CAPITALISM’
ROZ GODDARD — ‘LOST CITY’
LANA HUGHES – ‘SYLVIE SIREN AND OTHER POEMS’
JOHN GLENDAY — ‘THE FIRTH’ (2 OPOIs)
CHARLES LANG — ‘AYE OK’
BIBI JUNE SCHWITHAL — ‘CRITIQUE OF THE CRIMINAL JUSTICE SYSTEM’