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Title
THREADBARE FABLES—IAN SEED
OH-ZONES — ELIZABETH-JANE BURNETT
THE BRIDLE — MERYL PUGH
WAYS OF DESCRIBING CUTS — S. KELLY & S. J. FOWLER
VERY SOON I SHALL KNOW — GREGORY WOODS
WHAT REMAINS — NAUSHEEN EUSUF
DEFINITIONS OF DISTANCE — JAKE CAMPBELL
TWO — JESSE GLASS
LOST LANDS—ALY STONEMAN
GOPAGILLA – ROY MARSHALL
SOMEONE ELSE’S PHOTOGRAPH — JESSICA MAYHEW
NEGOTIATING THE DAYS — LIZZIE MADDER
UNLIKE THE JUNGLE PHEASANT — MARTIN BENNETT
BLACKBIRDS — CHRISTINA DUNHILL
CLOSE — THERESA MUÑOZ
CITIZEN KANED – ANDREW ‘MULLETPROOF’ GRAVES
AFTER THE CREEL FLEET — NIALL CAMPBELL
CATCHING MY OWN DRIFT—PHILIP RUSH
BLEEDS — CHARLES G LAUDER JR
FLECK AND THE BANK—ROB A MACKENZIE
WITHERING INTO THE TRUTH — GORDON JARVIE
SPINNING PLATES — RICHIE MCCAFFERY
A BAD INFLUENCE GIRL – JANET ROGERSON
CARMEN LXIV – CATULLUS, TRANSLATED BY SIMON SMITH
CONVERGENCE & CONVERSATION — NEIL ELLMAN
AYONT THE DYKE—AONGHAS MACNEACAIL
ORGANON — MEREDITH ANDREA
NOTES ON SEA AND LAND—LYDIA FULLEYLOVE
TAKING ACCOUNT—PETER GILMOUR
BELOVED, IN CASE YOU'VE BEEN WONDERING—WAYNE HOLLOWAY-SMITH
NASTY LITTLE INTRO #2—LIZZY DENING
PHONE IN THE ROLL—IRA LIGHTMAN
OUT OF THE CAVE—ALISTAIR NOON
THE HEAVY BAG—ROSS WILSON
SMALL TALK—NIC AUBURY
CHANG’AN POEMS—MARK LEECH
NAN HARDWICKE TURNS INTO A HARE—WENDY PRATT
GLAD NOT TO BE THE CORPSE—LYDIA HARRIS
THIS LAKE USED TO BE FROZEN: LAMPS—IAN MCMILLAN
THE BOND—MAITREYABANDHU
BLISS-DON'T-GIVE-A-DAMN—CARLOTTA MILLER JOHNSON
THE LAST WALKING STICK FACTORY—DAVID HALE
ARSON—SUE BUTLER
THE HITCHER—HANNAH LOWE
OFF THE MENU—LEON SHANN
RE: - AHREN WARNER
MERLIN’S LANE: 24 POEMS—ROBERT NISBET
CONFRONTING THE DANGER OF ART—IAN MCLACHLAN
CROSSING THE BORDER—CHRISTOPHER SALVESEN
A NATURAL CURIOSITY—A C CLARKE